The End of Something (1970)

by The Regime

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1.
THE END OF SOMETHING Sittin’ on the platform Knowing that my hope’s torn, And all I own Is filling up the pockets of my ripped and worn out coat. Now I feel so lonely, Cold wind blowing round me. And all my dreams Are tuning into shadows freezing on my icy hands. Now I’ve got no money; I know that no one needs me. All I am, Can’t keep a frozen tear drop from falling from my frozen eyes. Said she couldn’t stand more, Said she couldn’t stay for All we’d know, Another year of sorrow waiting for some end to come. Now my mind is weeping With all the things that I’ve seen, And all my fears Are crowding round my shoulders, pushing at my frozen brain. Sittin’ on the platform Knowing that my hope’s torn, And all I own Is filling up the pockets of my ripped and worn out coat.
2.
WHEN THE TEARS HAVE TO FALL There was washing on the line And he loved her. She was waiting in time, And he found her. And the tears from her eyes Seemed to kiss his sorrows goodbye, Goodbye when the tears had to fall. He was there by her side And he knew her. She just opened her eyes, And he found her. And the love in his heart Seemed to promise they’d never part. Don’t part, when the tears have to fall.
3.
Gypsy Road 01:21
GYPSY ROAD Look at the sun see it set in the west With Gypsy beside me we follow the rest. Gypsy and me, we go walking. Feel Gypsy Road soft under our feet. Holding her hand our lips red they meet. Gypsy and me, we go walking. Say ain’t it fine to be out in the sun? People beside us they’re all having fun. Gypsy and me, we go walking. Look at the sun see it set in the west With Gypsy beside me we follow the rest. Gypsy and me, we go walking.
4.
I MUST KNOW IF YOU LOVE ME I must know if you love me, There’s nothing I can say. I know if you don’t love me I must watch you walk away. And if the way I hold you Can’t compare to his touch. Do you not love me? Or got another on your mind? ‘Cause I can see you changing, Each day I feel your shame. Your smile is slowly fading, Your kiss is not the same. And if the way I hold you Can’t compare to his touch. Do you not love me? Or got another on your mind?
5.
MR AND MRS FRANKLIN When I lived in Birmingham I lived next door to a Mr Franklin, And Mr Franklin and I We became good friends. But when I got to know Mrs Franklin He didn’t understand, Oh no! And Mr Franklin and I Are no longer friends. While I lived in Birmingham I was called to county assizes, Named as co-respondent I sat and watched the divorce. Yes when I got to know Mrs Franklin He didn’t understand, Oh no! And Mr Franklin and I Are no longer friends. Then I moved from Birmingham I left her there on the Central Station. Tears running down her face, I could almost have cried. ‘Cause when I had to leave Mrs Franklin She didn’t understand, Oh no! And Mrs Franklin and I Are no longer friends.
6.
Josie (Pt 2) 01:25
JOSIE (Part II) Don’t you cry Josie, Never lie, Josie. Don’t you know the loser always wins in the end, Josie? Don’t you lie, Josie. Never cry, Josie. Don’t you know the winner always loses in the end, Josie? And if you’ll be true I’ll hold out my heart, But I know you’d only tear it apart. Oh Josie be true! Don’t be sad, Josie. Never bad, Josie. Don’t you know there’s sadness in the air, Josie? And if you’ll be true I’ll hold out my heart, But I know you’d only tear it apart. Oh Josie be true!
7.
THE VISION/(AFTER PARTING) She’s getting easy to see, so hard to please: That’s why she’s living above herself. She’s getting easy to show, harder to know: That’s why she’s living a life of her own. And now the look on her face That’s taking the place Of the smile that was there. And now the look in her eye That’s making me cry, That’s making me cry. She’s getting easy to show, harder to know: That’s why she’s living a life of her own. Oh la, la, la, la, la, la. She’s getting easy to show, harder to know: That’s why she’s living above herself. She’s getting easy to see, so hard to please: That’s why she’s living a life of her own.
8.
A THOUSAND CHANGES I carved my name upon the tree You carved your name beside. For we were lovers, and so young But now that love has died. “What care you for this maiden now?” The winter wind cold sighs. “The springtime weaved its magic spell,” The summer wind replies. I wonder now if you are gone Away with your new love, For spring will soon be here again To steal all clouds above. The jewel which you once bought for me, Please say where is it now? I ask the trees but no reply Will they allow me now. “A thousand changes have been made!” The lonely stranger cries, With guilty look upon my face I tell him that he lies. I carved my name upon the tree You carved your name beside. For we were lovers, and so young But now that love has died.
9.
THEN YOU’RE ALONE Everything you said it just turned bad; Crying thoughts and moaning made you mad. A climax of the wish that made you sad: Then you’re alone. Waking up you find an empty bed. Memories of the life which you once led. Thoughts she spoke which should have gone unsaid: Then you’re alone. Loneliness replaces happy days. Lovingness turned bad was thrown away. Regretting all the things you meant to say: Then you’re alone. Pictures of the past now fill your mind. The bad seems good and now the cruelty kind. Longing for the things now left behind: When you’re alone.
10.
Josie (Pt 1) 02:00
JOSIE (PART I) Josie, whose heart have you broken today? Josie, whose life have you just thrown away? I had a little girl, who was a woman, Josie, you took her away. Josie, whose heart have you broken today? Josie, whose life have you just thrown away? I had a little girl, who was a woman, Josie, you took her away. Josie, what shall we write on your grave? Josie, who’s going to save you? On the judgement day, O Josie, Who’s going to speak for you? And I know, it could be me. O Josie, it could be me!
11.
IT’S BETTER IF WE SAY GOODBYE And if the way I hold you Can’t bring back your smiling face. And if my words are jarring on your brain. Well if that’s the way you feel Then I know our love ain’t real And it’s better if we say goodbye. And now I see a shadow playing Round your closing arms, And it’s shading all the things we used to know. Well if that’s how it must be Then darling don’t you see? It’s better if we say goodbye. So now we turn away from All the good things that have been. And you say that you think we won’t look back. Well if that’s the way you feel Then I know our love ain’t real And it’s better if we say goodbye.
12.
I’LL WAIT …. I’ll wait, there where the leaves don’t fall; Fall down, onto the unswept path That leads her to my door. And the clothes she wore were white and pure, But before she finds the door, she just Waits there, there where the cold is green. Green leaves, shading the lonely smile, But watching all the while, Stands Conscience dressed in black. And as he looks at us, He kills me with his eyes.
13.
A SONG DEDICATED TO JOHN AND JEAN Come Jean, see where the light is falling Onto the unmade bed and onto your shoulder now. Now John, now as you wait beside her, Hoping the sun won’t hide her, Hoping that she can see. Stop John, stop as you wait to find her, Knowing the shade behind her, knowing that she is here. Wait Jean, wait while you wait for something, Something and nothing’s here now: Something that waits for you. Come Jean, see where the light is falling Onto the unmade bed and onto your shoulder now.
14.
Dear Amanda 02:20
DEAR AMANDA Dear Amanda, I’m writing to tell you About a train journey I had. And if you should want to see me: Leave your address with my mother. Dear Amanda, I’m writing to tell you About the things that went on on that train. And if you should want to hear them: Leave your address with my mother. O Amanda, I’ll miss you. And Amanda, I loved you but I’ve got to leave. You see, Cheri’s waiting at the station And I’ve got to go. Cheri’s waiting for me And I’ve got to leave. Please believe me when I say I loved you. Dear Amanda, I’m writing to tell you About a train journey I had. And if you should want to see me: Leave your address with my mother.
15.
I’LL CARRY YOU WITH ME TO MY GRAVE I can still remember you through the gloom of present skies, And I search to find a part of me that I know that now has died. Though my memories are not all I’d hoped that they might be, Still I’ll carry you with me to my grave. I think of all our past desires and our walking hand in hand. And about our singing, and the sea and footprints in the sand. Though my memories are not all I’d hoped that they might be, Still I’ll carry you with me to my grave. I remember too all the lonely times, and the times I made you cry. Though I never really ask myself if we were satisfied. Though my memories are not all I’d hoped that they might be, Still I’ll carry you with me to my grave. Yes, I’ll carry you with me to my grave.

about

This album represents the last time the band played together. I was 17 and a few months from going away to university and we had stopped playing gigs so we all knew this was the end for the band.

The central theme of much of the material is the break up of a long standing relationship. This is approached in a variety of ways:

– Through story (“The end of something”)
– Through Dorian mode folk (“A thousand changes”)
– Through country style rock (“It’s better if we say goodbye”)
– Through poetic style (“I’ll wait”)
– Directly (“I must know if you love me”, “Then you’re alone”, “The vision/(after parting)”, “Josie Pt 1” , “I’ll carry you with me to my grave”)

In terms of the sound, the album shows the very primitive equipment of a home demo. To some degree the performances reflect that there was no pre-recording rehearsal and the band had not played together for more than six months. Bob (bass guitar) had not heard any of the material in advance of the recording and Dave (drums) was only familiar with a handful of the songs.

I had always intended that the sound should be very stark and there would have been no harmonies at all if Mick (lead guitar) had not been left to listen to the initial tracks for a couple of hours while Dave and I went off to try to borrow some cymbals (as his had been stolen after a gig with his college band). Since Mick had been waiting so long I felt I had to let him use the harmony parts he had worked out.

Musically the sounds are very straight forward although, for guitarists, “Then you’re alone” has some interest with a key change for every line (Bb to B to C# run down back to Bb). “Dear Amanda” is unusual in it’s A-A-B- C- A verse structure with a key change from Em to A and then to D in the bridge sections before returning to Em for the final verse. The only song with a conventional verse-chorus structure is “Mr and Mrs Franklin”.

“Dear Amanda” was written by stream of consciousness, words and music together straight off and it has the only use of 6th chords on the album, except in the instrumental introduction to “The end of something” which was specifically written to mirror the end of “Dear Amanda”. I would usually play G6 with the E note on either the first or second string but this time used the 6th string to give a low E which somehow gives the chord a more indefinite sound.

At their best the songs have an emotional honesty but usually need to be listened to a number of times before this fully comes through.The album is very much late 1960s rather than pointing forward to the 1970s but this reflects the main theme of looking back on the ending of a relationship. In retrospect, it might be seen as looking back with both sadness and affection to the end of the exciitement of the 1960s, or indeed of the end of childhood and the move to the beginnings of adulthood.

credits

released August 12, 2019

All songs written by Graham Hamer.
The album was produced by Graham & Malcolm Hamer.
Performing on the album are: Graham Hamer, Dave Morris, Mick Lewis, Bob Pedrick and Barbara Clark.

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The Regime Bath, UK

The Regime played with various line-ups in the Bath (UK) area between 1966 and 1970. As a live act, the band was most active in late 1967 and the first half of 1968 when they played numerous gigs as a trio. Otherwise live work was occasional. The Regime made many demo recordings of original material by their singer and guitarist Graham Hamer. ... more

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